Traders of Osaka

BoardGame-Review

I’m an absolute sucker for elegance. I love games with few components and rules, yet still manage to create a deep and thoughtful gameplay system. The card game Traders of Osaka has all of these traits.

Based on Traders of Carthage, where the goal is for players to move ships, and deliver goods from Alexandria to Carthage, Traders of Osaka is essentially the same but this time the gameplay is set in a new continent and era, with the cargo needing to be shipped from Osaka to Edo in Japan.

The game has both cards and a board. Each card has a number and colour. The colour denotes the type of goods you can ship, and the number indicates their value. But, the game gives you the choice to keep your card in hand or place it in front of you. This turns them into purchased goods or cash to use later to purchase the goods.

Apart from this choice, as a trader you need to move your goods. Each time you buy an item, the ship of its colour moves one step closer to its destination. When it reaches Edo the player can sell the goods of a specific colour. However, if the seas are perilous just before docking, it sinks, and everyone’s goods of that colour go to waste.

The setup leads to a very simple, binary choice, which is affectd by the actions of all the players around you. The competition is absolutely bittersweet. Don’t be fooled by its spareness, these are some of the most tactical choices you will have to make in your life.

The game is about trading rice in Osaka over 100 years ago—a hard sell. But it has beautiful artworks, and a modern design that runs smoothly and is easy to learn. Trust me, give this one a shot.

Pather Panchali (Song of the Road)

Film-Review_charlo

filmreview02Satyajit Ray’s monumental Pather Panchali deals with an impoverished family in rural Bengal. Maybe monumental isn’t the right word for this humble movie and yet, it is apt because of the film’s intense depiction of human emotions and its towering position in Indian cinema.

This is Satyajit Ray’s first film and the first in a trilogy depicting Apu’s coming of age and a family’s fateful descent into misfortune while the father works in the city. Adapted from Bibhutibhushan Banerji’s novel of the same name, it reproduces many of the episodes from the book. However, it commands pacing, cinematography, and performance which make it a distinguishable work in its own right and a prime example of India’s transcendental take on Italian Neorealist cinema (c. 1944–1952), which was based on serious concerns and social realism.

The director has a keen eye for establishing natural pacing devices—from gathering storms to flitting mosquitoes—accompanied by Ravi Shankar’s sitar music. In a celebrated scene, the mother is unable to communicate to the father that their daughter Durga died from a cold; the mother’s cries are replaced by wailing sitar notes. The shot remains helplessly ‘immobilised’ as the anguished father rises out of the camera’s view, then returns helplessly to it.

The film’s pacing alternates between quiet, domestic chores and vibrant, exterior episodes in which Apu and Durga behave as children do. Much like the source novel and the Mangal-Kāvya poems in Bengali literature (made up of episodic poems called panchali), it is the periodic nature of rural life which drives the film forward. Although it differs from commercial western narratives, with their linear cause-effect plots and clear resolution, the film made its way to western audiences winning the Best Human Document award at the 1956 Cannes Film Festival (among many others).

Of note is the film’s excellent black and white cinematography, which brings out the bright blaze of India’s heat and the silvery tones of the monsoon habitat to crystalline, elemental palpability. The recent Blu-ray release eliminates the ‘ghosting’ effect and muddy transfers of previous VHS or DVD releases.

Finally, one cannot imagine Pather Panchali without the actress Chunibala Devi, who plays the aged widowed aunt. The moment she comes to realise that she is no longer wanted in the household, convinces me that the medium close-up was invented for this moment in film history.

When I met Satyajit Ray’s son in Calcutta, he gifted me with an original poster of the film. A Bollywood producer present in the same room leapt up for it. That poster made it through the monsoon (unlike Durga) and Pather Panchali continues to win hearts across the world. It is in this spirit that this review was written—with the hope that a work from a different time and so close to the human spirit, could become something personal for the readers of THINK.

Galactic rotation dynamics in modified gravity

In the last 100 years, Einstein’s theory of general relativity has proven invaluable to explain the nature of the universe. That being said, Einstein’s model of gravity does at times fail to comply with what we actually observe when looking up at the night sky.

Galaxies offer one of the most impressive laboratories where general relativity just does not work. Stellar objects in galaxies tend to orbit the galactic centre of mass. General relativity predicts that as one goes further from the centre of the galaxy, these orbital speeds drop off. Observational data shows that these velocities tend to stay constant along the radius of a galaxy. However, dark matter can be artificially introduced to account for this. The other argument is that such failures indicate the inability of general relativity to fully explain how the universe works. If this is so, it seems necessary to construct what are called alternative or modified theories of gravity. Such theories would have to be capable of correctly explaining all observed phenomena including those that general relativity fails to produce.

Andrew Finch (supervised by Dr Jackson Levi Said) is looking into the new concept of treating gravity as a torsional dominated system instead of a curvature dominated one, which is the concept explained by general relativity. The new models are being developed with the intention of agreeing with galactic rotation curves while managing to explain everything that general relativity already does. It is only possible to vigorously test such models because of the large amount of freely available data which has been gathered on galaxies. As models are obtained, the cluster in the ISSA (Institute of Space Science and Astronomy) laboratory is being used in order to determine model parameters. Using this data, Finch aims to compare Einstein’s theory with the new model being developed. Will it improve on Einstein’s ideas? Only Finch will tell…

This research is being performed as part of a Masters Degree in Astrophysics being read at the Institute of Space Sciences and Astronomy, University of Malta.

Andrew Finch

Tenor Joseph Calleja to open start-up conference

Start-ups to change a country. Lars Lorenz meets TAKEOFF Business Incubator manager Andy Linnas to find out more.

Start-up companies have evolved from being nice to have into a must have. Traditional business models cannot match their capacity to advance into uncharted territory and risk taking abilities. Banking, media, telecommunication, and manufacturing are only a few examples that have changed heavily since the start-up culture exploded. The rapid change has uncovered major challenges. Networks are lacking, allowing for no easy way to collaborate or share ideas, which is key for young start-ups to succeed. The gap between small businesses and established companies is undesirable to sustain a healthy economy.

logoThe ZEST conference offers a unique opportunity for entrepreneurs, managers, students, and those interested in business to chat and share knowledge. The two-day event is organised by the Malta Communication Authority in collaboration with the TAKEOFF Business Incubator (University of Malta). Armed with their past experience the team invited more than 34 different speakers. Contrary to other events, ZEST throws excessive formalities out of the window and focuses on creating an enjoyable atmosphere instead.

The venue, Westin Dragonara Resort’s Conference Centre, is outfitted with a tech demo space, piazza, and co-working area. The setup encourages chats in breaks and between talks to share ideas and encourage participants to start working on their next big project. ‘ZEST tries to be an event not just for techies. It caterers to everyone’s interest,’ says Andy Linnas. Their unusual approach is clear: the famous tenor Joseph Calleja is opening the conference to talk about the classical music and opera industry.

Malta stands to gain by opening up internationally. The Islands can show what it has to offer, while local businesses can obtain fresh inspiration from abroad. Even established companies can benefit immensely, since they need start-ups to innovate. Conquering emerging markets quickly is essential to staying competitive, but big business cannot adapt that quickly. They need start-ups to go into these niches for them, and in turn large corporations need to provide the necessary resources to do so.

‘If businesses don’t prepare and become flexible and open to change, many may lose out on this revolution.’

Linnas experienced the possible impact of such events first hand during Latitude59, a big start-up conference in Estonia. It is now in its 9th year, but beforehand Estonia hardly had a start-up culture. Today the landscape has changed. Whole parts of the city have been refurbished into modern areas filled with restaurants, office space, and apartments, ready for people from all around the world to move in. Having that international talent intertwining with the Estonian community allowed start-ups to raise over €100 million of investments that created thousands of jobs. This movement placed Estonia on the map. ‘I believe society will always benefit from startup culture and we can make this happen in Malta,’ Linnas envisions.

ZEST is the first step in that direction. It will be happening from 27–28 June at Westin Dragonara Resort, St. Julian’s. Prices start at €149, while university staff and students are being offered special rates. For more information visit their website or contact ZEST directly.

Robots in the Classroom

Reuben Ferrante, a University of Malta Engineering graduate and founder of eeRoot, has developed a small robot called eeMod. eeMods are built from only two modules stacked on top of each other. The bottom module is a ‘sensor hub’ that can sense the environment around it. It does so through connections (wifi, bluetooth, USB, microSD card slot), several sensors (gyroscope, accelerometer, light sensors), and a bit more wizardry. The second module is the controller, or brain. Its programmable controller is entirely compatible with the Arduino platform—a standard used worldwide. A set of wheels let’s the eeMod zip around.

Because the robot’s brain is empty by default, it can be hooked up to a computer to upload data. eeMods understand complex instructions and can utilise their senses to act accordingly. Users can start programming by using a very simple Arduino compatible drag and drop interface, and later make the transition to writing their own code. Having all that technology in one sleek package is one of the their unique selling points. Although eeMods were originally designed to streamline the scientific workflow in robotics, it is receiving a lot of attention from educational institutions. The robot’s simplicity allows it to be uses in schools giving children early insight into robotics. Ferrante has received multiple requests to provide a syllabus paired to the eeMods and tailored to Malta’s educational system.

Sphero is another miniature classroom robot, but looks very different from an eeMod. The company SPRK provides a near indestructible ball that can move around via various motors at its core. Recently the developers made it possible to programme Sphero through a smartphone app. For some quick fun the ball can also be remote controlled using the same app. It can move across all kinds of surfaces, and even through water—the perfect classroom bot.

The robots approach education from different angles and target different age groups. eeMods are the perfect device to delve into the technology behind robotics and learn programming algorithms early, while Sphero is a nice toy to play around with, enabling even technophobe people to experience the miracle that robots are.

With an increasing presence in everyday life robots are here to stay, in one form or the other. Allowing children to get familiar with the technology early helps teach lifelong skills and inspire them for the rest of their life.

For more information visit the official eeRoots website.

This article first appeared in ‘Sounds of Science’ in the Times of Malta, May 22 2016.