Like a painting, society is created out of different, colourful brush strokes of social, legal, economic, political, and religious aspects. The work of notary Bernardo Maria Callus depicts the changes and developments, traditions and values, and aspirations of the Order of St John’s as well as Maltese individuals’ needs. The acts of notary Callus are important for the study of continuity, change, and interaction in mid-eighteenth century Hospitaller Malta.
Continue readingFeminine in Trinity
Western tradition tends to view gender as something binary, either male or female. Fran Borg’s research takes a closer look at how Sanskrit philosophy understands the inseparability of gender through language and mythology.
Continue readingDo you speak ‘Dance’?
From professional globe-trotting performer to populist teacher, Cassi Camilleri speaks to dancer and choreographer Karolina Mielczarek about her mission to bring dance to the masses as a form of self-expression and communication.
Continue readingQuality Education for All
In today’s society, more than 262 million children and youth are not in school. To combat this, the United Nation established Sustainable Development Goals (SDG) in order ‘to achieve a better and more sustainable future for all’ by 2030. One of these goals, SDG4, is on the importance of quality education, which inspired two art pieces created by Zarifa Dag and Martina Camilleri.
Both artists took part in a design competition organised by the University of Malta’s Faculty of Education, asking participants to submit creative designs inspired by the theme of SDG4, which focuses on inclusive and equitable quality education.
Zarifa has a background in graphic design and digital arts, and her submissions for the competition were heavily inspired by her dual cultural identity, as she has both European and Middle Eastern roots. She travelled to Lebanon in 2018 and volunteered in refugee camps, working with the children of immigrants who fled to Lebanon because of conflicts happening in countries like Syria. This experience allowed her to witness first hand the differences in quality of life and education between children in Malta and refugees.
Zarifa’s piece is titled Halep’te, which is Turkish for “In Aleppo”, referencing one of the major cities in Syria. Her illustrations centre around an adolescent, representing the younger generation and their future, as well as the people that are at the centre of SDG4. She brings in multiple cultural references through the turban (the Middle and Far East) and crescent (Islam). While her narrative begins with a somewhat bleak representation of the current situation in children’s education, it ends with an element of hope that the situation may improve.

Martina Camilleri, who is currently reading for a Masters of Art in Social Practice Art and Critical Education, presented her take on SDG4 and quality education through a piece titled En Root – a play on the term ‘en route’ – which explores the journey someone takes to get their education. For her first artwork, Seeds We Sow, she asked 40 participants about why they keep looking for education or teaching opportunities. She then photographed their hands and transferred the images onto wooden planks, writing their responses behind each individual plank.

Her second artwork, titled One Piece, consists of five distinct pieces made from ceramic and mixed media. They represent the five objectives outlined in the Universal Agenda towards quality education: People, Planet, Prosperity, Peace, and Partnership. The pieces do not embody any of the terms individually. Instead, the art views the terms as a unified whole.

Zarifa and Martina’s artworks can be viewed along the main staircase of the Faculty of Education in the Old Humanities Building at the University of Malta. Although the artists interpreted the SDG4 in different ways, they both emphasised the importance of human-centred design. In essence, if somebody is going to use the product, then they should help construct it. The same approach could help achieve quality education for all children, despite socio-economic factors.
Art on the cloud
Author: Daiva Repeckaite
‘I find it quite interesting that the transition [from face-to-face to digital communication] is uneasy for some people. For me it’s all the same,’ says contemporary artist Letta Shtohryn. Although her artistic practice suffered when three exhibitions she was to take part in were postponed, her working methods remained unchanged when communication moved online amid the COVID-19 pandemic. Already in 2019, three of her artist residencies were fully digital.
Continue readingThe pandemic did not ‘undo’ our exhibition
As 35 University of Malta students prepared to showcase their dissertation projects in an exhibition at Junior College, restrictions to stop the spread of COVID-19 turned their plans upside down overnight. Yet the exhibition, titled Ctrl Z, is still taking place, having moved to where people are – online.
Continue readingDark themes go places
Author: Kieran Teschner
Film is a medium that preserves life’s nuances for the future. It stimulates our senses in ways no other medium can, giving a unique, multilayered experience. Even a small-scale project can speak directly to people’s hearts when made with devotion to the filmmaking craft. The desire to capture a glimpse of the world through someone else’s eyes drove two groups of students to international recognition.
Continue readingDiscover the other side
Author: Emma Clarke
Featuring books, comics, graphic novels, movie posters, and magazines, The Other Side is an exhibition that celebrates the bizarre and unearthly. Each room is dedicated to a genre (sci-fi, horror, or gothic fiction), particular character, or prominent author.
Continue readingLove (in) letters
Literature shapes our understanding of love, from Romeo and Juliet to over-quoted phrases before Valentine’s Day. It continues to influence the way we relate to the complex emotions and quests surrounding love. Literature experts Prof. James Corby and Prof. Adrian Grima (University of Malta) share their thoughts about the cornerstones of the literature of love with Daiva Repeckaite.
Continue readingBeach bodies FTW
Author: Cassi Camilleri
In formal art instruction, especially in contemporary art, the human body is but a mere shape and structure. Tina Mifsud’s latest series of paintings, collectively titled Plajja, takes the trope and turns it on its head. She uses forms not to create the perfect aesthetic, but to address issues of insecurity.
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