Not many Ph.D.s lead to a new programme of studies, but cardiac paediatrician Prof. Victor Grech’s did. His study on Infertility in Science Fiction inspired him and his supervisors, Prof. Ivan Callus and Prof. Clare Vassallo, (University of Malta) to start the HUMS programme: a space for researchers in the humanities, medicine, and sciences to meet and discuss the bridges between these areas.Continue reading
Setting the stage
By The Valletta 2018 Foundation in collaboration with Arts Council Malta
Ask any practitioner of the performing arts in Malta what their biggest cross to bear is, and a veritable list comes pouring out like burning lava. However, once you plough through the expected maladies that plague every small art scene—limited audiences, limited sources of funding available, unctuous reviews—in Malta, you’ll always arrive at this: a lack of viable spaces for productions and rehearsals.Continue reading
Don’t THINK — December 2016 Edition
Somewhere
Film review by Charlo Pisani
Continue readingMartian Renaissance
Board Game review by David Chircop
Continue readingNewton and the Counterfeiter
Book review by David Reuben Grech
Continue readingDesign

by Abigail Attard
Prostitution is known as the oldest profession. It is also the one with the highest human cost. This artwork reflects the pain female prostitutes feel contrasted by the coldness of the men who fuel the business. Attard was inspired by news items on these issues, and her belief that more measures are needed to bring an end to the business that fuels the objectification of women.

by Sharon McLean
Many idioms reflect how curiosity is not always a good thing. This artwork personifies the mental struggle suffered when a curious mind tries to seek tranquility. It also represents a person’s cautiousness sheltering the self from exposing their state of mind.

by Lara Gove
This artwork is part of a series interpreting a text known as Cities and the Dead 4 which is found in Italo Calvino’s book Invisible Cities. The painting reflects a state of decay, an entire city turned into a burial ground with confined spaces with restricted movement.

This artwork’s imagery reflects multiculturalism. It is the artist’s first wood carving.

by Cristina Formosa
Cyberbullying can have dreadful repercussions. This art installation with figures made of transparent tape reflects the emptiness a person can feel when they are the victims of online harassment. The figures merged with their surroundings and became part of the space, with an almost ghost-like effect.
Bridging (through) the performing arts
Theatre, dance, and music are changing at the University of Malta. Recently, three new research groups were launched by the School of Performing Arts (SPA) with the aim of bridging different disciplines through the development of shared work processes and research areas. Through interdisciplinary research, these groups want to look outwards towards new concepts.
The groups cover three themes. First, ‘Twenty-first-Century Studies in Performance’, which is committed to the locating, reimagining, and development of performance practices in the 21st century. Second, ‘Culture and Performance’, which is guided by the premise that culture and performance refer to complexities that emerge from the multitude of phenomena these terms describe. Third, ‘Performing Arts Histories and Historiographies’, which investigates and archives material related to historical events across the performing arts. These themes are possible thanks to a web of local and international collaborations, ranging from the Digital Arts and Humanities to Cognitive Science and Intelligent Computer Systems.
These new research platforms seek to facilitate dialogue between scholars and practitioners, academics and citizens.

White
White is a performance about space, or the absence of it.
Once upon a time, characters were in search of an author. Today they are in search of a space. The characters, played by the students of the School of Performing Arts at the University of Malta, are lost in a corridor in-between places. Around them all is empty. A void. Like a vault, all they have is White!
Photo: Darrin Zammit Lupi

A devised performance created by the students of the School of Performing Arts, University of Malta
MITP
Photo by Darrin Zammit Lupi
SPA has an upcoming conference featuring some of the above topics called Interweaving Cultures: Theory and Practice in March 2017. For more information contact Dr Stefan Aquilina (stefan.aquilina@um.edu.mt) or, on the conference, Prof. Vicki Ann Cremona (vicki.cremona@um.edu.mt).
Computer recognition of sheet music
In his book This is Your Brain on Music, Daniel Levitin writes, ‘Whenever humans come together for any reason, music is there.’ From weddings and funerals, to graduation parties and men marching off to war, ‘music is and was [always] part of the fabric of everyday life.’

Ephemeral spaces
Valletta 2018 Foundation
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