By Dr Ġorġ Mallia
Technology is seeping into research and academic writing, and the shift towards labour-market facilitation rather than academic curation is changing the knowledge and learning landscape. Such shifts, however, are set against cultural biases in subjects and traditional, outdated academic structures, even as universities try to evolve.
Curated by Elyse Tonna with artist Dr Matthew Attard, ‘The Ship (Unseen)’ delivers the same brilliance and deep artistic intent which Attard, Tonna, and the rest of the team had been praised for during the 60th Venice Biennale. In 2025, the two sought to continue building on the themes of connection, identity, and memory established in ‘I Will Follow the Ship’, making use once again of that iconic, ever-moving, web-like linework.
Think about the rubber parts in your car, your shoes, or your household appliances. Traditionally, making rubber is an incredibly energy-intensive process that relies on ‘vulcanisation’ – a method that uses high temperatures and produces harmful emissions to make the material durable. But what if high-performance rubber could be eco-friendly and 3D-printed on demand?
Comments are closed for this article!