Every September, Valletta opens its doors to stories from across Europe, told not through policy documents or speeches, but through the universal language of cinema. The EUNIC European Film Festival has become a fixture in Malta’s cultural calendar, bringing films that would otherwise never appear on local screens. At its heart lies a belief that cinema can transcend borders, spark dialogue, and foster empathy.
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Exhibited for only the second time in Malta, at the Grand Ambitions exhibition at the Co-Cathedral of St John, Francesco Laparelli da Cortona’s 16th-century drawings provide us a rare opportunity to glimpse the architectural process behind the creation of Valletta. THINK traces back the journey of these drawings, from their birth in post-siege Malta to their return home, and uncovers the indelible mark Laparelli left on the city we know today.
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Once engraved on the Maltese lira’s five-cent coin, il-Qabru, Malta’s freshwater crab, now threatens to vanish not just from our coinage but from our islands altogether. Classified as critically endangered some years ago, it is more pertinent than ever to understand the ongoing research into these crabs, what makes them special and what it will take to save them from extinction.
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Imagine walking into Malta’s National Museum of Fine Arts in 1969, expecting serene saints or picturesque landscapes, and instead finding canvases studded with shattered glass and swirls of cement. Visitors at the time were stunned. Was this really the work of Emvin Cremona, the nation’s beloved painter of churches and stamps? Fast forward to today, and those very works are on display again at the Victor Pasmore Gallery run by Fondazzjoni Patrimonju Malti in Valletta, inviting a fresh look at a Maltese modern art pioneer who broke away, quite literally, from tradition.
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Six Malta-based artists come together to reflect on space as more than place but as process, memory, boundary, and emotion. Their works in painting, sculpture, and installation unfold across the MICAS galleries in a layered, open-ended conversation.
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‘We make place, and our actions influence how place is shaped and develops,’ reflects multidisciplinary artist, Dr Trevor Borg. Place is a multilayered term that has been used in various contexts over the years. While place and space often converge, they each carry distinct characteristics. How do the specificities of place and space emerge through contemporary art?
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Advances in technology and study offer improvements to the practice of interpreting, as evidenced by the recent installation of new interpreting equipment at UM’s Interpreters’ Lab, overseen by Dr Amy Colman. Her mission, however, is much broader as she seeks to share the story of interpreting itself as a practice with a long history.
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If it is true that philosophy is thinking about how we think, then the discipline’s characteristic scepticism and continuous self-questioning should also turn to the very mediation of philosophy.
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Designer and visual artist Daniela Attard, known as ielladoodle, hosted Migration Nation, a multimedia art exhibit at Spazju Kreattiv. The exhibit deals with several important issues in both a worldwide and Maltese context. THINK visits the exhibit and speaks with Iella about her work and her time as a UM student.
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For her second-year physiology research project conducted under the supervision of Chev. Prof. Renald Blundell from UM’s Department of Physiology and Biochemistry, Courtney Ekezie focused on sustainable food systems and their impact on human health. The study briefly mentioned culinary medicine – an aspect that later inspired this article for THINK.
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