Malta is European (and a few other things). So European that in 2018 Valletta will be the European City of Culture (ECoC). ECoC was set up to raise awareness about ‘Europeanness’ with mixed success over the last 25 years.Continue reading
Valletta is preparing to be the European Capital of Culture (ECoC) in 2018. In its run-up a Cultural Mapping Project is currently being implemented in Malta to map cultural places around the Islands. The project is focusing on public space discourse in a contemporary urban setting.Continue reading
Think meets up with Dr David Magri to tell us more about how he is trying to help scientists and politicians to network. Evidence-based policies need the input of scientists from all fields and are the future for Malta’s policy makers to develop a better, richer, and happier Malta.
Q: In a small country like Malta were everyone knows each other, why do scientists and politicians need to network?
A: Even in a small country like Malta, people do not know everybody. In particular, scientists and politicians are two groups of individuals with busy schedules and different priorities. Because of the inherent nature of their professions, these two groups have no natural reason to meet. Scientists spend a considerable amount of time in their office, laboratory, in meetings, out on fieldwork, and at conferences. Politicians spend a substantial amount of time in their office, in the House of Parliament, at meetings, events, and attending conferences. However, for the nation’s interests, science and research policy is important for future competitiveness with regards to technical skills and human resources. Parliamentarians and governments set the national priorities for research, but researchers need to meet these research objectives. Researchers have a better understanding of what is feasible and what resources are needed.
“Scientists and politicians are two groups of individuals with busy schedules and different priorities”
Q:How are you trying to get them to engage?
A: The Malta Chamber of Scientists has established Science in the House as a networking forum between scientists and parliamentarians. Under the auspices of the House of Representatives, Science in the House is also a poster exhibition highlighting some of the leading research conducted in Malta, particularly at the University of Malta. Now in its third year, the event continues to build momentum with greater participation every year. It takes place in the Presidential Palace in Valletta. This year a number of parliamentarians with science-related interests and backgrounds have been asked by personal invitation to attend the opening ceremonies of Science in the House.
Q:What is the role of Science in the House as part of Science in the City – European Researcher’s Night?
A: Science in the House is the opening ceremony for the Science in the City festival. During the weekend festival the Presidential Palace is open to the public in the evening. The poster exhibition is left on display for parliamentarians to view, and afterwards left on display over the Notte Bianca festival allowing the general public including students, parents, and tourists to view the exhibition. During the week an estimated 6,000 visitors viewed the exhibition last year.
Part of Science in the City, Malta’s Science and Arts Festival
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The event is supported by the Malta Chamber of Scientists, the RIDT University Research Trust, the University of Malta and the House of Representatives. For more information see
www.mcs.org.mt/index.php/events and on www.scienceinthecity.org.mt
Valletta will be the European Capital of Culture in 2018 and has served as the centre of multiculturalism in Malta since its beginning. Built soon after the victory of the Hospitaller Order of St John over the Ottoman Empire in 1565, it meant to serve as their Fortress Convent. The knights came from all over Europe and helped attract people from all lifestyles. Valletta had a cosmopolitan atmosphere that impressed itself on the character of the city helping to enrich the country especially in creativity. The Order of St John managed to establish a ruling system which seeped down the social scale and gave character to the Harbour area. The cultural magnetism of the City was underlined by its political centrality. Functioning as an administrative capital, Valletta determined the fashions and values of the Grand Master’s court. Similar to early modern European capitals, Valletta was a powerhouse of cultural change.
British rule in the 19th century introduced new cultural elements with an Anglo-Saxon tone. The Royal Navy and the numerous other ships that anchored in Valletta’s adjacent harbours poured in many foreigners who came for short or long stays and mingled with the locals. This made Valletta a melting pot of nations, cultures, tastes, values and mentalities. Yet novelties did not manage to destroy or replace what had already been entrenched in the life and fabric of the city. All it did was enrich it further. The city put on a new dress but did not renounce its soul, and the residents adapted to the new trends without forgetting their roots.
Valletta continued to grow in its multicultural mentality, a natural process for a central Mediterranean city. It is an administrative and cultural centre. Over five centuries, people from different cultural environments have thrived and lived harmoniously together.
Dérive Valletta is an initiative by digital art student Matthew Mamo (supervised by Dr Vince Briffa) aimed at increasing the visibility of our capital city’s museums and cultural institutions using augmented reality.
Augmented reality has a host of possibilities to allow people to interact with art and through this art the city itself. Inspired by the work of Israeli artist Yaacov Agam, the digital visuals featured in Dérive Valletta require the user to move around the objects being scanned in order to view the content.
Possessing its own cohesive brand and identity, this initiative is ultimately intended to contribute towards the creation of a digital cultural infrastructure within Valletta prior to 2018. Being a digital layer laid over the real world there will be no negative impact on this UNESCO World Heritage Site’s unique built environment.
The brand’s aesthetics were kept minimalistic to create an identity that can be incorporated into Valletta in an unobtrusive manner while endowing the initiative with a contemporary image. Minimalism is reflected in the restrained colour scheme and use of clean sans-serif typefaces.
The research was undertaken as part fulfilment of an MFA in Digital Arts and partially funded by the Strategic Educational Pathways Scholarship (Malta). This Scholarship is part-financed by the European Union — European Social Fund (ESF) under Operational Programme II — Cohesion Policy 2007–2013, “Empowering People for More Jobs and a Better Quality Of Life”.
