You’re alone in a dark room, your laptop casting flickering shadows as a horror film builds to a crescendo. The music tightens. A breath catches. Something is coming. And you? You can’t look away. In fact, no matter how absolutely terrified you are, you’re loving every second of this. How does that make sense?
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Looking for a fun and exciting activity fitting for children and grown-ups alike? Science in the City offers inspiring activities throughout the whole month of September. And, between the 26th and 27th, Science in the City hosts the Street Festival and the Performance Festival.
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Every September, Valletta opens its doors to stories from across Europe, told not through policy documents or speeches, but through the universal language of cinema. The EUNIC European Film Festival has become a fixture in Malta’s cultural calendar, bringing films that would otherwise never appear on local screens. At its heart lies a belief that cinema can transcend borders, spark dialogue, and foster empathy.
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Exhibited for only the second time in Malta, at the Grand Ambitions exhibition at the Co-Cathedral of St John, Francesco Laparelli da Cortona’s 16th-century drawings provide us a rare opportunity to glimpse the architectural process behind the creation of Valletta. THINK traces back the journey of these drawings, from their birth in post-siege Malta to their return home, and uncovers the indelible mark Laparelli left on the city we know today.
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Imagine walking into Malta’s National Museum of Fine Arts in 1969, expecting serene saints or picturesque landscapes, and instead finding canvases studded with shattered glass and swirls of cement. Visitors at the time were stunned. Was this really the work of Emvin Cremona, the nation’s beloved painter of churches and stamps? Fast forward to today, and those very works are on display again at the Victor Pasmore Gallery run by Fondazzjoni Patrimonju Malti in Valletta, inviting a fresh look at a Maltese modern art pioneer who broke away, quite literally, from tradition.
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Is-Siġġijiet is not just about chairs. It is also about nothingness and meaninglessness, miscommunication and isolation – that type when you look back and realise you never amounted to much. It’s a stark irrelevance that gnaws at you and makes you desperate to hold onto whatever significance you can and say ‘yes, it wasn’t all for nothing’. It’s not a comforting thought, but the script does well in hiding that with its quips and gags.
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Six Malta-based artists come together to reflect on space as more than place but as process, memory, boundary, and emotion. Their works in painting, sculpture, and installation unfold across the MICAS galleries in a layered, open-ended conversation.
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When film students from the University of Malta teamed up with scientists, they uncovered previously hidden stories and created documentaries that bring Malta’s lesser-known histories and research to life.
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Spirited debates and discussions intersect as scholars and students from five countries gather in Malta to (re-)visit the Mediterranean through literature, culture, and community at the REMED Spring School and the Department of English Postgraduate Symposium.
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‘We make place, and our actions influence how place is shaped and develops,’ reflects multidisciplinary artist, Dr Trevor Borg. Place is a multilayered term that has been used in various contexts over the years. While place and space often converge, they each carry distinct characteristics. How do the specificities of place and space emerge through contemporary art?
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