The Damned Sublime: Exploring right and wrong through art

700 years ago, Dante Alighieri explored the damned and the sublime in his La Divina Commedia. In 2021 B.A Fine Arts students at the University of Malta dive into this theme through their explorations of the whimsical, the grotesque, and the celestial, as well as the profound, the landscape, and the human form.

In an art exhibition named Damned Sublime, students following the Painting Workshop study unit with the Department of Art and Art History, Faculty of Arts, University of Malta, explore the themes Dante touched on in his Divine Comedy.

What is the Damned Sublime?

The scope is based on ‘oxymorons that interweave the damned with the sublime, understanding such juxtapositions as recalling early human encounters.’ Ever since the story of Adam and Eve, there has been the concept of ‘good’ and ‘bad’ deeds.

But what if there are no inherent wrongs and rights? What if the good is the bad, and the bad is the good? What if the damned is sublime and the sublime is damned?

Rather than ending up in eternal hell or heaven, people should pay the right price for committing a sin. Justice, according to Dante, is about restoring balance. In this sense, a murderer may have to experience being murdered over and over again in hell.

While looking into these themes, students realised that the damned and the sublime are not easily categorised. ‘There is cross-fertilisation between the two, depending on the personal point of view,’ participating students said.

Interpretations

The theme of this multimedia exhibition was interpreted in varying ways. Some students portrayed the damned, from which the sublime emerges. In contrast, others interpreted it as the sublime, which is tainted by the damned.

Students explored internal emotional struggles and childhood fantasies showing the whimsical and the grotesque. Others delved into the representation of Dante’s Inferno, Purgatorio, and Paradiso, the ever-changing landscape, or the exploration of love and lust.

There are students who created a dialogue with the local landscape and local newspaper articles, representing the developments and changes that the island and its citizens are constantly going through. Others portray the changes in the body, dealing with gender identity, or explore the idea of ruin.

There are other combinations of elements where one can see a mutual relationship, where without one, the other would fail to exist. As participating students said: ‘Life brings with it positive and negative things, and both can be the cause of either good or bad.’

Perhaps it is not so much the objective experiences and events that shape one’s life, but what those experiences become in the light that one sheds on it. What seems damned at the time might end up being sublime due to ever-changing circumstances. Likewise, things might be sublime for one yet damned for the other.

This exhibition, whilst engaging with the works of past masters such as Josef Kalleya, Giovanni Battista Gualli, and Salvador Dalí, explores the dualism between the damned and the sublime further as it encompasses various aspects of the theme: earthly life, spiritual life, fantasy, landscape, and identity.

Beyond oil medium

The main medium used is painting, but students moved beyond the medium by creating installations and incorporating different media. The media used embodies the meaning behind each artwork.

Though it is a multimedia exhibition, the oil medium is central to Damned Sublime, and it unifies all the exhibited works. Common between all artworks is the dismantling of forms in an attempt to create new concepts and ideas based on the students’ own artistic exploration.

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Damned Sublime is the title of the first part of the exhibition Strada Stretta Occupy by Students, which will be followed by a display of the dissertation projects by Fine Arts students.

The two-part exhibition series is part of the Dante 700th anniversary 2021 celebrations organized by the Department of Art and Art History, University of Malta, and the Strada Stretta Concept, as part of the Valletta Cultural Agency cultural programme. The project is in collaboration with the Società Dante Alighieri – Comitato di Malta. A special thanks to Jason Masini who provided The Splendid as a space for this exhibition. 

Participating students for the ‘Damned Sublime’ exhibition are Kylie Aquilina, Andrea Luca Bartolo, Julia Schembri Bell, Martina Darmanin, Filippa Debono, Hayden Grima, Lisa Hirth, Sacha Scicluna, Matthew Shirfield, and Jeremy Spiteri.

The students have worked under the supervision of Prof Giuseppe Schembri Bonaci for several months, who is the Coordinator of the Fine Arts programme within the Department of Art and Art History, as well as the Artistic Director of the Strada Stretta Concept.

Damned Sublime was held from 21st to 28th June at The Splendid in Strait Street, Valletta. 

The Second part of the exhibition will be held from 2nd to 22nd July at The Splendid in Strait Street, Valletta and Società Dante Alighieri in Old Bakery Street. Opening hours are: Monday till Thursday from 6pm till 9pm, Friday and Saturday from 7pm till 11pm and on Sunday the exhibition is closed.

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Design group MaltaType, made up of Dingli, Matt Demarco, and Katerina Karamallaki, have set up the exhibition to engender awareness of good design through historical study
Design group MaltaType, made up of Dingli, Matt Demarco, and Katerina Karamallaki, have set up the exhibition to engender awareness of good design through historical study

Valletta is being transformed into Malta’s vibrant cultural hub. With this welcome upheaval, however, the need to preserve the unique urban façades of the capital city’s old establishments has become critical.

Malta-based design group MaltaType is organising an exhibition on their study of shop sign production, as well as the typology and aesthetic of Valletta’s Strait Street signs, using them to create stylised prints of various shops.

The eponymously named exhibition will preserve the artefacts of Valletta’s modern history through a series of prints showing signs, shop fronts, and typography. The installation will lead from one room to the next, expanding on different aspects that constitute the process of designing and producing some of Valletta’s most iconic signs.Design_M

This project does not aim to emphasise reverting to past styles or practice, but to engender awareness of good design through historical study.

The exhibition is not intended to be a static event. Talks will focus on the history of design and the analysis of the aesthetic of the capital’s commercial establishments. Workshops will also take place, centring on the printing techniques used in the project. A main feature will be the launch of a newly-designed font created by MaltaType specifically for this event.Design_Type-Sketches

Preserving and studying past knowledge is key to generating innovative techniques. This project does not aim to emphasise reverting to past styles or practice, but to engender awareness of good design through historical study. Design is a rather young research topic in Malta, and a comprehensive study of local design is sorely needed as a baseline to build upon. The MaltaType exhibition is one such keystone. 


Design_CarmenbarMaltaType will run from 25 May until the following Sunday at Splendid in Strait Street, Valletta. The project is part of the annual artistic programme of the Strada Stretta Concept, a Valletta 2018 Foundation project. The artistic director is lecturer Dr Giuseppe Schembri Bonaci (University of Malta), and the exhibition is curated by Nikki Petroni, while the MaltaType designers are Ed Dingli, Matt Demarco, and Katerina Karamallaki. For more information: www.maltatype.com