Art is embedded into Malta’s history, whether it may be found in Ġlormu Cassar’s astute, Mannerist architecture, prehistoric etchings on numerous temple walls around the island, or in graffiti found on wayside chapels from the 1600s onwards. Matthew Attard concerns himself with the latter, with a specific focus on ship graffiti. Now chosen to represent the Malta Pavilion of the 2024 Venice Art Biennale commissioned by Arts Council Malta, his exhibition will include artworks showcasing impressive innovation, having reimagined the method of drawing by melding it with emerging eye-tracking technology.