Skip to content

Bridging (through) the performing arts

Facebook
Twitter
LinkedIn

Theatre, dance, and music are changing at the University of Malta. Recently, three new research groups were launched by the School of Performing Arts (SPA) with the aim of bridging different disciplines through  the development of shared work processes and research areas. Through interdisciplinary research, these groups want to look outwards towards new concepts.

The groups cover three themes. First, ‘Twenty-first-Century Studies in Performance’, which is committed to the locating, reimagining, and development of performance practices in the 21st century. Second, ‘Culture and Performance’, which is guided by the premise that culture and performance refer to complexities that emerge from the multitude of phenomena these terms describe. Third, ‘Performing Arts Histories and Historiographies’, which investigates and archives material related to historical events across the performing arts. These themes are possible thanks to a web of local and international collaborations, ranging from the Digital Arts and Humanities to Cognitive Science and Intelligent Computer Systems.

These new research platforms seek to facilitate dialogue between scholars and practitioners, academics and citizens.

Annual Collective Performance of the School of Performing Arts. White White is a performance about space, or the absence of it. Once upon a time, characters were in search of an author. Today they are in search of a space. The characters, played by the students of the School of Performing Arts at the University of Malta, are lost in a corridor in-between places. Around them all is empty. A void. Like a vault, all they have isÖWhite! Photo: Darrin Zammit Lupi
Annual Collective Performance of the School of Performing Arts.
White
White is a performance about space, or the absence of it.
Once upon a time, characters were in search of an author. Today they are in search of a space. The characters, played by the students of the School of Performing Arts at the University of Malta, are lost in a corridor in-between places. Around them all is empty. A void. Like a vault, all they have is White!
Photo: Darrin Zammit Lupi
inFragments A devised performance created by the students of the School of Performing Arts, University of Malta MITP Photo by Darrin Zammit Lupi
inFragments
A devised performance created by the students of the School of Performing Arts, University of Malta
MITP
Photo by Darrin Zammit Lupi

SPA has an upcoming conference featuring some of the above topics called Interweaving Cultures: Theory and Practice in March 2017. For more information contact Dr Stefan Aquilina (stefan.aquilina@um.edu.mt) or, on the conference, Prof. Vicki Ann Cremona (vicki.cremona@um.edu.mt).

Author

More to Explore

URNA: Bonding Flame

URNA is Malta’s response to the 5th edition of the London Design Biennale 2025. THINK speaks to curator Andrew Borg Wirth and Arts Council Malta Internationalisation Executive Romina Delia to learn how this project seeks to create a connection between souls when experiencing a loss.

MaltaHip Project: When Ideas Become Reality

The earliest recorded attempts at hip replacement date back to 1891. At the time, ivory was proposed to replace the femoral heads of patients whose hip joints had been destroyed by tuberculosis. Since then, everything changed. THINK speaks to the MaltaHip Team to learn about their innovative hip replacement technology.

HUMS ‘The Sun’: Bridging the Sciences and Humanities in a Cross-Disciplinary Exploration

The Humanities, Medicine, and Science (HUMS) Symposia at the University of Malta offer a unique platform where experts from diverse fields come together to explore a single theme from multiple disciplinary perspectives. This academic year, the HUMS first event, entitled ‘The Sun’, provided an interdisciplinary deep dive into the scientific, cultural, and existential significance of our closest star.

Comments are closed for this article!