Skip to content
Luigi Rizzo

The pandemic did not ‘undo’ our exhibition

Facebook
Twitter
LinkedIn

As 35 University of Malta students prepared to showcase their dissertation projects in an exhibition at Junior College, restrictions to stop the spread of COVID-19 turned their plans upside down overnight. Yet the exhibition, titled Ctrl Z, is still taking place, having moved to where people are – online.

Third year students reading for a BFA in Digital Arts have created and designed this exhibition themselves. The name Ctrl Z refers to the ‘undo’ keyboard shortcut. Although not all the students are working with digital media, this keystroke is used by all. It is a nod to all the attempts and failures the students face as creatives, as well as a nod of acknowledgment to the turbulent reality of the artistic process.

This exhibition explores a multitude of artistic media, such as illustration, 3D animation, 2D animation, graphic design, videography, photography, VR (virtual reality), and AR (augmented reality) integration. Through these techniques, the students are investigating a diverse range of themes and concepts, including gender roles and relationships, the human senses, social issues, and performance.

Moving the exhibition online demanded a new approach to hosting it. After countless discussions between the students and lecturers, they chose to make it the Media and Knowledge Sciences Faculty’s first online exhibition. Students therefore had to adapt their projects to suit an online platform. 

Curating this exhibition demanded cooperation and coordination between the entire class and all lecturers involved. Each student volunteered for a particular role in communications, marketing, sponsorship, illustration, graphic design, photography and videography, and motion graphics. 

Everyone will be able to access the official exhibition website and experience each artist’s work through a dedicated page. Your can also follow BFA Ctrl Z on Facebook and Instagram.

Author

More to Explore

I Will Continue to Follow the Ship

Curated by Elyse Tonna with artist Dr Matthew Attard, ‘The Ship (Unseen)’ delivers the same brilliance and deep artistic intent which Attard, Tonna, and the rest of the team had been praised for during the 60th Venice Biennale. In 2025, the two sought to continue building on the themes of connection, identity, and memory established in ‘I Will Follow the Ship’, making use once again of that iconic, ever-moving, web-like linework.

AMBER: Stretching the Boundaries of Sustainable Rubber

Think about the rubber parts in your car, your shoes, or your household appliances. Traditionally, making rubber is an incredibly energy-intensive process that relies on ‘vulcanisation’ – a method that uses high temperatures and produces harmful emissions to make the material durable. But what if high-performance rubber could be eco-friendly and 3D-printed on demand?

Islam and Dance – A Contradiction?

When you think about Islam, do you think about dance? When you think about dance, do you imagine it as a part of meditation? THINK speaks to Ziya Azazi, founder of Dervish in Progress, and Dr Paula Guzzanti Ferrer from the Department of Dance Studies to uncover the fascinating connection between dance and Islam.

Comments are closed for this article!