Skip to content

Piled higher, dug deeper

Facebook
Twitter
LinkedIn

Triaxial testing rigs are used the world over to experiment on ground materials such as soils, rock, or powders. At the University of Malta (UoM), one such rig started being assembled in 2014 using existing equipment at the Faculty for the Built Environment, modernised with the help of the Faculty of Engineering. The rig is now complete, with plans to test rocks typically found in Malta, simulating the stresses created by big excavations and tall towers, steep slopes and deep underground tunnels.

The laboratory is used to investigate the engineering characteristics of weak ground materials such as clay, silt, sand, and weak rock (turbazz in Maltese building terminology). Space and economic pressures are pushing local buildings deeper and taller without the knowledge of how the local rocks can sustain the pressures created.  Architects and engineers, now more than ever, are being asked to design excavations and buildings in these weak materials.  Abandoning a site for a stronger one is now no longer an option. In-depth understanding of how ground materials behave, therefore, becomes fundamental if dangerous consequences are to be avoided. 

Quick Specs
  • Specimen size: 38mm dia. x 76mm
  • Maximum axial pressure: 220 bar
  • Sensors measuring specimen behaviour during loading: 12
  • Minimum loading speed: 0.00001mm/min
  • Testing control: Fully automated and computer controlled

The equipment is already being used to teach the next generation of architects and engineers. They now have the opportunity to experiment with the local ground materials. They can load them with imagined future buildings or unload them through simulated excavations, all the while observing the real-world effects.

The first real research effort is aimed at understanding what’s going on in Malta’s weak Globigerina limestone, which is currently loaded by heavy buildings. We need to be aware of their internal structure, the water within, how they crush and how long it takes. It’s likely to be a long story, but this is just the beginning.

Author

More to Explore

I Will Continue to Follow the Ship

Curated by Elyse Tonna with artist Dr Matthew Attard, ‘The Ship (Unseen)’ delivers the same brilliance and deep artistic intent which Attard, Tonna, and the rest of the team had been praised for during the 60th Venice Biennale. In 2025, the two sought to continue building on the themes of connection, identity, and memory established in ‘I Will Follow the Ship’, making use once again of that iconic, ever-moving, web-like linework.

AMBER: Stretching the Boundaries of Sustainable Rubber

Think about the rubber parts in your car, your shoes, or your household appliances. Traditionally, making rubber is an incredibly energy-intensive process that relies on ‘vulcanisation’ – a method that uses high temperatures and produces harmful emissions to make the material durable. But what if high-performance rubber could be eco-friendly and 3D-printed on demand?

Islam and Dance – A Contradiction?

When you think about Islam, do you think about dance? When you think about dance, do you imagine it as a part of meditation? THINK speaks to Ziya Azazi, founder of Dervish in Progress, and Dr Paula Guzzanti Ferrer from the Department of Dance Studies to uncover the fascinating connection between dance and Islam.

Comments are closed for this article!